{"created":"2023-05-18T09:55:38.065122+00:00","id":1101,"links":{},"metadata":{"_buckets":{"deposit":"49f74d40-08cb-4a06-9bad-c35f95db100d"},"_deposit":{"created_by":4,"id":"1101","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"1101"},"status":"published"},"_oai":{"id":"oai:jwcpe.repo.nii.ac.jp:00001101","sets":["6:59:124"]},"author_link":["7356","7355","7357"],"item_3_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2023-03","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"54","bibliographicPageStart":"45","bibliographicVolumeNumber":"53","bibliographic_titles":[{"bibliographic_title":"日本女子体育大学紀要"}]}]},"item_3_description_42":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"Bulletin","subitem_description_type":"Other"}]},"item_3_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This study confirmed Eguchi Takaya’s view of avant－garde dance that emerged in the 1960s and 1970s and examined how his position as a teacher at a physical education college was related to the background to his holding this view of dance.\nIn the 1960s, the physical education value of dance in school physical education was being discussed in the wake of the Tokyo Olympics. For Eguchi, as a teacher at a physical education college who at the time recommended ‘basic movement’, expressive movement, and creative methods for creative dance in school physical education, Ankoku Butoh and postmodern dance appeared around the same time, which did not dance and did not emphasize Eguchi’s concept of compositional methods, were dances that were incompatible with the modern dance he practiced and the creative dance of school physical education. For this reason, Eguchi expressed a critical view of these avant－garde dances.\nHowever, Eguchi was originally positive about avant－garde efforts and published arguments for and against these avant－garde dances in his research journal, and he used to present innovative dance works without dancing. Considering the above, it can be assumed that even though Eguchi as an artist was interested in avant－garde dances, it was difficult for him as a teacher at a physical education college, who taught creative methods in line with the subject matter and dances with sufficient dancing in the field of school physical education, to easily accept avant－garde dances that did not dance and were different from the creative methods he sought. Here we can glimpse his ambivalent stance between artist and physical education teacher, criticizing but not totally rejecting the avant－garde dances that emerged in the 1960s and 1970s.","subitem_description_type":"Abstract"}]},"item_3_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.34349/00001090","subitem_identifier_reg_type":"JaLC"}]},"item_3_publisher_35":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"日本女子体育大学"}]},"item_3_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00192838","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02850095","subitem_source_identifier_type":"PISSN"}]},"item_3_textarea_4":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_textarea_value":"日本女子体育大学（准教授）"}]},"item_3_version_type_18":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"髙野, 美和子","creatorNameLang":"ja"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Takano, Miwako","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-04-24"}],"displaytype":"detail","filename":"nichijo_kiyo53-05.pdf","filesize":[{"value":"601.3 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"nichijo_kiyo53-05.pdf","url":"https://jwcpe.repo.nii.ac.jp/record/1101/files/nichijo_kiyo53-05.pdf"},"version_id":"3a9a4b78-870e-4085-a053-1d57d6032b7d"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"Takaya Eguchi","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"modern dance","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"postmodern","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"creative dance for school physical education","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"identity","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"江口隆哉と1960年代から70年代の前衛的な舞踊 ―体育大学教師の視点から―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"江口隆哉と1960年代から70年代の前衛的な舞踊 ―体育大学教師の視点から―"},{"subitem_title":"Takaya Eguchi and Avant‒garde Dance of the 1960s and 1970s : From the Perspective of a Teacher at a Physical Education College"}]},"item_type_id":"3","owner":"4","path":["124"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2023-04-24"},"publish_date":"2023-04-24","publish_status":"0","recid":"1101","relation_version_is_last":true,"title":["江口隆哉と1960年代から70年代の前衛的な舞踊 ―体育大学教師の視点から―"],"weko_creator_id":"4","weko_shared_id":-1},"updated":"2023-07-14T09:41:43.981143+00:00"}