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Dance scholars remain undecided on Ivanov\u0027s contribution to ballet during the 19^\u003cth\u003e century and later. The present study investigated Ivanov\u0027s influence on the transition from 19^\u003cth\u003e-century ballet to 20^\u003cth\u003e-century ballet. Whereas Petipa attempted to separate story development and spectacular dance scenes in his works, and to emphasize the dramatic nature of dance, Ivanov attempted to tell a story through dance using the entire body. For Ivanov, the most important aspect of dance was the content and meaning of the story. Ivanov\u0027s works have two primary tendencies: first, they express a particular atmosphere or scene; and second, they express the feelings or psychological state of the characters through dance. These two tendencies are not readily apparent in Petipa’s works, though further comparison with Romantic Ballet and Romanticism is necessary. 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レフ・イワーノフの業績 : 20世紀バレエへの準備
https://doi.org/10.34349/00000882
https://doi.org/10.34349/0000088288b7331b-7cf9-4445-8c4f-1552cc73e6c2
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2016-01-27 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | レフ・イワーノフの業績 : 20世紀バレエへの準備 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Achievements of Lev Ivanov and the Transition to 20^<th> -Century Ballet | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Marius Petipa | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | 19^<th>-century ballet | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Mikhail Fokine | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Romantic Ballet | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.34349/00000882 | |||||
ID登録タイプ | JaLC | |||||
著者 |
渡辺, 碧
× 渡辺, 碧× Watanabe, Midori |
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著者(ヨミ) | ||||||
姓名 | ワタナベ, ミドリ | |||||
著者所属 | ||||||
日本女子体育大学(助手) | ||||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The role of Lev Ivanov(1834-1901) in 19^<th>-century ballet has been largely obscured by Marius Petipa (1818-1910), one of the most prominent figures in the history of ballet. Dance scholars remain undecided on Ivanov's contribution to ballet during the 19^<th> century and later. The present study investigated Ivanov's influence on the transition from 19^<th>-century ballet to 20^<th>-century ballet. Whereas Petipa attempted to separate story development and spectacular dance scenes in his works, and to emphasize the dramatic nature of dance, Ivanov attempted to tell a story through dance using the entire body. For Ivanov, the most important aspect of dance was the content and meaning of the story. Ivanov's works have two primary tendencies: first, they express a particular atmosphere or scene; and second, they express the feelings or psychological state of the characters through dance. These two tendencies are not readily apparent in Petipa’s works, though further comparison with Romantic Ballet and Romanticism is necessary. Elements of Ivanov's works are widely considered to have influenced 20^<th>-century artists such as Mikhail Fokine and Antony Tudor. In conclusion, Ivanov was one of the first to consciously capture the atmospheric and psychological elements present in today's ballet works. | |||||
書誌情報 |
日本女子体育大学紀要 巻 42, p. 35-43, 発行日 2012-03 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 02850095 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00192838 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 日本女子体育大学 | |||||
資源タイプ | ||||||
内容記述タイプ | Other | |||||
内容記述 | Bulletin |